Fans of The Weeknd have waited eagerly for the latest chapter in his sonic universe—“Hurry Up Tomorrow”—and on Thursday night, the wait officially ended. Touted as the concluding piece of his “After Hours” trilogy, this sprawling, 22-track opus arrives nearly three years after he catapulted into the pop stratosphere with After Hours and its successful follow-up, Dawn FM. Initial rumors hinted at major guest appearances, and now we have confirmation: “Hurry Up Tomorrow” features a star-studded lineup including Lana Del Rey, Travis Scott, Future, Florence + the Machine, Giorgio Moroder, Playboi Carti, Anitta, and more. According to a rep for The Weeknd, the new album stands at nearly 90 minutes long, teasing a lush, ambitious soundscape that underscores his ongoing commitment to reinvention.
But the surprises don’t end with the music itself—this release also signals another intriguing twist in The Weeknd’s artistic path. Over the past few months, he’s opened the idea of retiring “The Weeknd” as a stage name, hinting that Hurry Up Tomorrow might be the last we see of that moniker. Whether he’ll officially abandon the persona after a decade of chart-topping hits remains to be seen, but one thing is clear: Hurry Up Tomorrow aims to tie up loose ends and push The Weeknd’s sonic boundaries even further.
The album initially had a different release schedule, but The Weeknd postponed it to honor victims of the recent Los Angeles wildfires—a move met with admiration from fans. Proceeds from one track, “Take Me Back To LA,” will go to LA Regional Food Bank, which has been pivotal in offering emergency food to those hit hardest by the crisis. The Weeknd also donated $1 million to various relief efforts, including the LAFD Foundation, GoFundMe’s Wildfire Relief Fund, and LA Regional Food Bank. This gesture, coming at what is usually a celebratory time for a new album drop, fits the pattern of philanthropy seen in past interventions from the artist. He even canceled a planned album release concert at Pasadena’s Rose Bowl, underscoring his choice to show empathy and stand in solidarity with people impacted by the catastrophe.
Scrolling through the 22-song tracklist reveals an array of unexpected collaborations. While The Weeknd has worked with Lana Del Rey, Future, and Travis Scott before, seeing Florence + the Machine and veteran producer Giorgio Moroder listed ramps up the anticipation. Another noteworthy pairing is with Playboi Carti, who previously had cameo roles in The Weeknd’s live performances but hadn’t featured on an official track until now. The track “São Paulo,” with Brazilian pop star Anitta, signals his ongoing commitment to global outreach, much like the collaborative shows he performed in South America last year. In typical Weeknd fashion, titles like “I Can’t Wait To Get There” or “The Abyss” hint at the emotional push-pull that has defined his catalog. Despite the multiple star turns, listeners can expect cohesive production to tie these diverse voices into a single, atmospheric narrative—something that’s become a hallmark of his “After Hours” era.
Full Tracklist for “Hurry Up Tomorrow”
Beyond music, The Weeknd is also preparing to unleash a cinematic vision called Hurry Up Tomorrow—yes, the same title as the album—scheduled for May 16, 2025. Lionsgate will handle the exclusive theatrical release of the film, co-written and directed by Trey Edward Schults (known for acclaimed indie work like Krisha and It Comes at Night). Starring The Weeknd alongside Jenna Ortega and Barry Keoghan, the project has stirred curiosity. Previous rumors suggested it might weave the album’s concepts into a narrative bridging the world of pop stardom with a surreal storyline, but official details remain scarce. This synergy between the music and film resonates with The Weeknd’s longstanding flair for visual storytelling—he’s known for bridging album releases with cinematic short films, as seen with After Hours’ noir-themed clips. If the hype is any indicator, Hurry Up Tomorrow the film might expand the trilogy’s storyline beyond the album’s final note. For fans, that’s an immersive treat.
Longtime admirers of both The Weeknd and Lana Del Rey know they’ve struck gold collaborating before, such as on tracks like “Lust for Life” and “Stargirl Interlude.” With “The Abyss” on Hurry Up Tomorrow, the pair continues to fuse Del Rey’s dreamy vocal style with The Weeknd’s emotive R&B flair. Their creative chemistry has historically led to critically acclaimed singles, with fans praising how Del Rey’s introspection complements The Weeknd’s confessional style. For those looking forward to The Abyss, expect an ambient track that might stand out as a highlight on an already star-packed album. In terms of cross-appeal, it’s one reason Hurry Up Tomorrow may become a streaming giant.
Promotion for Hurry Up Tomorrow got an extra boost when The Weeknd appeared on Jimmy Kimmel Live! the night of the release, delivering a live version of “Open Hearts.” With minimal stage props but top-tier vocals, the performance captured a raw energy that ties into the album’s moody flair. Meanwhile, fans recall that last October, he previewed some of these songs at a stadium show in São Paulo—where surprise guests Playboi Carti and Anitta hinted at the global flavor we now see on the tracklist. Observers praised how new compositions meld seamlessly with older hits, an indication that this final part of the trilogy maintains thematic ties without feeling like retreading the same ground.
All told, Hurry Up Tomorrow marks an ambitious statement from an artist known for bridging R&B, pop, and cinematic narratives. The star-studded collaborations—ranging from Lana Del Rey to Travis Scott and beyond—promise a sonic tapestry as extensive as its 22-track scope. But more than that, the album stands as a closing note to a trilogy that’s defined The Weeknd’s career for nearly three years. Whether he truly discards the “Weeknd” persona afterward remains to be seen, yet the thematic hints and final track’s nod to House of Balloons are unmistakable clues. For fans, it’s a milestone that looks both backward and forward, urging everyone to revisit the earlier phases while anticipating a possible new chapter. If the synergy of emotional ballads, danceable beats, and philanthropic gestures is any indicator, Hurry Up Tomorrow might not just conclude a trilogy—it could set a new bar for what The Weeknd can do next.
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