Blake Lively's newest film project, It Ends with Us, has generated enormous buzz and interest from fans of both the bestseller by Colleen Hoover and films in general. Directed by Justin Baldoni, who has a flair for emotionally charged storytelling, the adaptation of this romance bestseller by Hoover is shaping up to be one of the most highly anticipated upcoming movies.
The movie revolves around Lily Bloom as she relocates to Boston to begin a new life, where she can rebuild her profession and personal life. She is then introduced to charming neurosurgeon Ryle Kincaid, and at first, their relationship seems so perfect, but slowly, Ryle begins to show his true nature. She also encounters her past love, Atlas Corrigan, leading her to start reflecting on her past relationships and how they have affected her.
The reason why the movie gathered more and more attention is because its' an adaptation of the novel It Ends with Us by Colleen Hoover. This 2016 book became a New York Times bestseller shortly after hitting bookstores. This, obviously, can be attributed to its rich storyline, with drama and an overwhelming emotional element that has kept entire groups of readers attached to it. In her novel, Hoover writes about love, survival, and self-discovery, touching many readers across the world. Its vivid storyline, grappling with both complicated relationships and personal struggles, earned it a spot on many reading lists in book clubs and it is gaining much word-of-mouth publicity.
The involvement of Blake Lively is certainly an added draw to the project. After making her mark through roles in Gossip Girl, The Shallows, and A Simple Favor, she has built quite a general reputation for strong performances and an extremely relatable screen presence. Her casting as the namesake protagonist of the novel, Lily Bloom, has generated applause from fans of both book lovers and Lively fans. Interest in the film was just brought about by her talent to put various emotions into life and to add more roles to the list of different successful ones.
Director Justin Baldoni has already proven himself in Five Feet Apart and Clouds as a capable director for emotionally charged stories, operating with sense and depth. Most of the praise so far has been towards commitment to the themes of the book, bringing his vision to life. Part of that, in Baldoni's case, is his personal connection to the material and an expressed intention to honor the essence of it, making the film highly anticipated.
It is a complex novel thematically, ranging from domestic abuse to personal empowerment and complex love; it therefore holds special significance today in its ability to bear important conversations on difficult issues that align with ongoing discussions about mental health, relationship dynamics, and personal agency. Today's social climate doubtless feeds into the interest in its film adaptation.
The marketing strategy for It Ends with Us activated the power of social media in order to reach out to the audience. The Internet has been abuzz with behind-the-scenes glimpses and interviews of the cast shared regularly on Blake Lively's and Justin Baldoni's social media handles, keeping fans engaged and up-to-date. The hashtag created for the movie is #ItEndsWithUsMovie, and recently, another, #LilyBloom, has also been added in order to start a hype online.
Strategic partnerships and collaborations have played a role in the film’s marketing efforts. Book-related influencers and bloggers, as well as Colleen Hoover herself, have been involved in promoting the movie. Exclusive content, such as interviews with Hoover and Lively, has been shared through various media outlets and book clubs. These collaborations help bridge the gap between the book’s loyal readers and the film’s broader audience.
To secure early reviews, It Ends with Us is expected to be showcased at film festivals and special screenings. These events provide opportunities for critics, industry insiders, and fans to view the film before its official release. Positive early reviews and word-of-mouth recommendations from these screenings can significantly boost the film’s visibility and bring new audiences to the theater. Considering Blake Lively and Justin Baldoni’s clout in the movie industry, it will likely be shown at big film festivals such as the Toronto International Film Festival (TIFF), Sundance Film Festival, and/or Cannes Film Festival, although nothing has been confirmed just yet.
Merchandising and tie-in products related to the film are another aspect of its marketing strategy. Special edition books, themed merchandise, and exclusive collectibles are being promoted alongside the film’s release, capitalizing on the book’s existing fanbase.
The film’s trailers and promotional content are designed to capture the emotional essence of the story, and considering the story’s synopsis, it’s likely to turn out to be a very emotional film.
As It Ends with Us inches closer to its release date, the confluence of its gripping source material, Blake Lively's stardom, and Justin Baldoni's vision behind the camera has brewed a perfect storm of anticipation and excitement. The marketing strategies employed by the film are intelligent in many ways, turning existing sentiment from the book toward the movie while finding new ways to engage an audience on social media, through partnerships, and with exclusive content.
The success of the film will likely depend on the adaptation's ability to translate the emotional depth of the novel to the screen to resonate with long-time fans and new ones. Should the film live up to the expectations its marketing and source material have built (especially if it makes viewers ugly-cry) this cinematic adaptation might cement the story's place in popular culture.
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